Pigment Study

Mapping mineral pigments across Asia, Africa, the Mediterranean, and the Americas with spectral imaging and provenance trails.

Spectral imaging Provenance Trade routes

Methods

  • Hyperspectral scans (400–1000nm)
  • XRF for elemental signatures
  • Reflectance transformation imaging (RTI)
  • Geo-linked pigment source database

Comparative

Azurite vs. lapis lazuli across Asia, Mediterranean, and Africa.

See pigment routes →

Case Studies

Silk Road murals, Benin bronzes patina, Nazca textiles dyes.

Dyes in textiles →

Findings

  • Azurite clusters along Mediterranean maritime lanes
  • Indigo variants mapped from West Africa to South Asia
  • Cinnabar sourcing differences between Andes and Asia

Cross-Link

Open a pigment route in GeoStories, then inspect surfaces in 3D Tours or listen via Audio Guides.

Back to collections →

Extended Methods

We combine hyperspectral imaging, XRF, Raman, and GIS sourcing to build pigment biographies across continents.

  • Sample-safe workflows; cross-checks with published spectra libraries.
  • Route reconstruction via GeoStories (mines, ports, workshops).
  • Surface/volume correlation: paint strata in 3D models from 3D Tours.

Quick Facts

  • Spectra: 400–1000nm + XRF
  • Focus: Azurite, lapis, cinnabar, indigo
  • Outputs: Maps, spectra cards, case studies

Learning Modules

  1. Reading spectra: peaks, reflectance, impurities.
  2. Trade attribution: matching mines to objects.
  3. Color change over time: lightfastness and varnish effects.
  4. Cross-compare with Weaving dyes and Manuscripts inks.

Downloads & Media

  • Spectra cards (PNG/PDF) for classroom use
  • GeoJSON pigment routes for map exercises
  • Slide deck: pigments by region and era

FAQ

Do you share raw spectra?

No raw spectra are distributed by this page. Use spectra only when the holding institution or research repository supplies calibration, units, method, and reuse terms.

Lightfastness guidance?

This page does not prescribe display limits. Light sensitivity depends on the material, binder, substrate, previous exposure, and environment; consult a qualified conservator and the institution's preventive-conservation guidance.

How to integrate in class?

Use spectra vs. trade-route maps, then compare with glaze chemistry in Asian Artifacts or fresco work in Mediterranean.

From signal to identification

A color name is not a chemical identification. Imaging, X-ray fluorescence, Raman spectroscopy, reflectance spectroscopy, and microscopic sampling answer different questions and have different spatial resolution and detection limits. A responsible record states the instrument, measurement location, units, calibration, and whether the conclusion is tentative or confirmed.

Evidence boundary: trade or origin cannot be inferred from a pigment match alone. Provenance, stratigraphy, workshop practice, later restoration, and contamination must also be considered.

Sources

Method claims and access language reviewed 9 October 2026. Educational comparison only; not a conservation treatment recommendation.

Curator's evidence fileresearch / PIGMENT-STUDY

Pigment Study

Mapping mineral pigments across Asia, Africa, the Mediterranean, and the Americas with spectral imaging and provenance trails.

Evidence register
ObserveDescribe material, form, marks, wear or spatial relation without assigning identity or purpose. Begin with “Methods.”
ContextLocate the record in excavation, collection, restoration and display history. Check the chain against Getty Conservation Institute: Artists' Pigments and Smithsonian Museum Conservation Institute: Pigments.
InferComposition and microstructure can illuminate recipes and production sequences, but recycling, repair and contamination complicate workshop attribution. Tie every attribution to the feature that supports it and retain competing readings.
WithholdDo not extend “Comparative” beyond the date, sample, comparison or provenance actually documented.

Provenance checkpoint

List each custody or documentation gap separately; an unknown interval is evidence about the record, not permission to invent continuity.

Catalogue note

Open a pigment route in GeoStories , then inspect surfaces in 3D Tours or listen via Audio Guides . Mark later repairs, labels and digital reconstructions as later interventions rather than original features.

Research-room prompt

What single comparison object, technical test or archive entry would most change the interpretation of Pigment Study?